markers for what has been omitted,
or for what could be construed as being outside of language, and
for what is not possible to express or point toward using language)
only obliquely or approximately present, like a film
These objects as nothing more nor less than placeholders for n number
of ideas, theories, concepts, metaphors, paintings, etc., that we
might wish to investigate.
on the paintings might themselves be taken as placeholders for a
next lower level of detail, such as for particular things like actual
materials ('tools' for thought), images of things or ideas, ideas
of images or things, etc.
is a place for holding tools (which might be used to construct,
manipulate or craft ideas, things, etc.).
of point-areas or pegboard as one approach toward distributing incident
across a field (or creating a field of occurrence).
at once perfunctory and profound, where each unit is anonymous and
Evoking apertures as well as objects. Objects as apertures?
records of) (evolving outward from a moving aperture)
- now an analogue of 'fetish'?