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[3]
There
is no
problem.
words,
I can
feel as if
message un-
repetition of a sys-
process
method, explor-
work for
origins
of
a body of
opposing themes-
duality of com-
or another
instinctive quest
to
any art-
work, we can
approach to
the
early 1920's
systemati-
to accept es-
sensibilities.
influential
method be-
fore his
Duchamp's
his
con-
[5]
absorbed
movement he
convic-
the gen-
and inde-
stylistic pro-
Nude
work may
represent a
history that
a radical
future deve-
sides of the
conventions
[23]
flies
rest on
competition
the painter
and nature morte.
he has drawn
Beauty
to the Nth di-
only
a tickle of
attraction of bilin-
art joins
arched instep of the
step before it turned
n'est-
some thing)
and
alone, now
whiff looks and
lumiere, a
palindromic step,
in mirrored rever-
reads the same
the foot stands
; its letters seen
[25]
was
he
word games -
was
this figure
Glass?
the
spectator,
to comprehend
thinker
as
sources
reconcile
when
both their
meaning
or hu-
involved the
when
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