From "White Labyrinth"
Good job the huntsman
scissors the animal open
so Red and Granny
can be born again.
Reborn whole and hardy.
No one thanks the
hero; but that’s all
right. Red’s also reborn
in a second way,
as a child who’s
not quite such a
fool. The wolf’s big
eyes fill with grief.
His big teeth chomp
on air. He wishes
to view all this
world’s injustices. He widens
eyes a bit more.
All the better to
see them with.
scissors the animal open
so Red and Granny
can be born again.
Reborn whole and hardy.
No one thanks the
hero; but that’s all
right. Red’s also reborn
in a second way,
as a child who’s
not quite such a
fool. The wolf’s big
eyes fill with grief.
His big teeth chomp
on air. He wishes
to view all this
world’s injustices. He widens
eyes a bit more.
All the better to
see them with.
From "White Labyrinth"
Groups of eight, nine,
rising or dropping, dark
wedges in mid-winter sky.
Abed, she watches them
pass her window. They
keep coming, so many
that she doesn’t know
if each flock is
new or if it
just continuously circles her
house. If she closes
her eyes, fever will
ride her every which
way, wherever it chooses.
So she gazes at
those mini-flights. That one’s
mother. Then come father,
brother, brother, sister. That’s
a year. There’s another.
There’s fear. That’s God’s
Ear.
rising or dropping, dark
wedges in mid-winter sky.
Abed, she watches them
pass her window. They
keep coming, so many
that she doesn’t know
if each flock is
new or if it
just continuously circles her
house. If she closes
her eyes, fever will
ride her every which
way, wherever it chooses.
So she gazes at
those mini-flights. That one’s
mother. Then come father,
brother, brother, sister. That’s
a year. There’s another.
There’s fear. That’s God’s
Ear.
From "White Labyrinth"
Slap -- carries all down
the hallway, through the
wall, curving in a
white line above old
oaks. Hand on cheek.
Flesh on flesh. Meat
on meat. A crack
in the air. An
open crack in air.
So easy to be
drawn into what’s beyond,
to be lost. And
thus fail to register
the second slap. Then
the next. Flesh on
flesh. Repeat. Repeat.
the hallway, through the
wall, curving in a
white line above old
oaks. Hand on cheek.
Flesh on flesh. Meat
on meat. A crack
in the air. An
open crack in air.
So easy to be
drawn into what’s beyond,
to be lost. And
thus fail to register
the second slap. Then
the next. Flesh on
flesh. Repeat. Repeat.
From "White Labyrinth"
Some great effort’s been
accomplished. Dozens of long
tables askew in a
gigantic room, crumpled food
wrappers on them; leaning
stack of paper on
the floor; Styrofoam cups
all over. The humans
remain, slumped in chairs,
drained, giddy, gazing out
at rain through high
windows, and knowing what
they’ve done is nothing
short of miraculous. Night,
once again, encroaches. So
they clean, straighten; spread
pallets, blankets on the
tables. As usual, they’ve
filed, locked away that
day’s reports. They’ll sleep
with all those numbers
gleaming brilliantly in their
heads.
accomplished. Dozens of long
tables askew in a
gigantic room, crumpled food
wrappers on them; leaning
stack of paper on
the floor; Styrofoam cups
all over. The humans
remain, slumped in chairs,
drained, giddy, gazing out
at rain through high
windows, and knowing what
they’ve done is nothing
short of miraculous. Night,
once again, encroaches. So
they clean, straighten; spread
pallets, blankets on the
tables. As usual, they’ve
filed, locked away that
day’s reports. They’ll sleep
with all those numbers
gleaming brilliantly in their
heads.
From "White Labyrinth"
Each teaching day, he
tries to find his
classroom in those new
buildings. He’s not alone:
crossing paths, he nods
to colleagues looking as
muddled as he. Somehow,
students do keep getting
smarter; he can tell
by hearing them in
the halls. Not a
bad way, though, to
make a living, since
paychecks keep rolling in.
Plus, he discovers wonders.
In a practice room,
some kid playing a
Bach cello suite. Two
flower gardens flanking the
courtyard. A whiteboard filled
with incomprehensible calculus language.
And, in what he
judges to be that
entire complex’s center, an
empty room. Through its
skylight: white sun; low,
steady shushing of snow-bearing
wind.
tries to find his
classroom in those new
buildings. He’s not alone:
crossing paths, he nods
to colleagues looking as
muddled as he. Somehow,
students do keep getting
smarter; he can tell
by hearing them in
the halls. Not a
bad way, though, to
make a living, since
paychecks keep rolling in.
Plus, he discovers wonders.
In a practice room,
some kid playing a
Bach cello suite. Two
flower gardens flanking the
courtyard. A whiteboard filled
with incomprehensible calculus language.
And, in what he
judges to be that
entire complex’s center, an
empty room. Through its
skylight: white sun; low,
steady shushing of snow-bearing
wind.
From "White Labyrinth"
Sign on its door:
Think Twice. So, think,
think again, then enter.
Pretty good book shop
slogan. Inside, all seems
ordinary enough. Sunlight glances
off dark wood; dust
hovers happily. Books long
sought for -- right there
on the shelves. Yet,
every customer’s shadowed. This
one reaches for a
text. Best not to
touch that, sir. This
one’s transfixed before a
row of volumes. Move
along now. Here’s one
who’s somehow managed to
pluck a collection from
its resting place. She
carries it to an
unmanned register, taps the
little counter bell. An
invisible hand from behind
wrenches the book away.
We’ll take it from
here.
Think Twice. So, think,
think again, then enter.
Pretty good book shop
slogan. Inside, all seems
ordinary enough. Sunlight glances
off dark wood; dust
hovers happily. Books long
sought for -- right there
on the shelves. Yet,
every customer’s shadowed. This
one reaches for a
text. Best not to
touch that, sir. This
one’s transfixed before a
row of volumes. Move
along now. Here’s one
who’s somehow managed to
pluck a collection from
its resting place. She
carries it to an
unmanned register, taps the
little counter bell. An
invisible hand from behind
wrenches the book away.
We’ll take it from
here.
