Christian ALLE is a painter, collagist and photographer, and has been active in mail art networks since the 1990's. He is the publisher and animator of Nada Zero. He lives near Cherbourg, a small seaside resort in Normandy, France.

Marcia Arrieta's recent poetry collections include perimeter homespun (BlazeVOX 2019) and vestiges (Dancing Girl 2019). Her work appears in Otoliths, Marsh Hawk, Angel City, Anastamos, Helen, Whiskey Island, Eratio, Barrow Street, Empty Mirror, So to Speak, Conjunctions Online, Columbia Journal, and Hobart, among others. She edits and publishes Indefinite Space, a poetry/art journal.

Jeff Bagato is a multi-media artist living near Washington, DC. He produces poetry and prose as well as electronic music and glitch video. Some of his poetry and visuals have appeared in 3AM, Angry Old Man, BlazeVOX, Empty Mirror, Futures Trading, Otoliths, The New Post-Literate, Utsanga, and Word For/Word. Some short fiction has appeared in Danse Macabre and Future Cactus. He has published nineteen books, all available through the usual online markets, including Savage Magic (poetry) and Computing Angels (fiction). A blog about his writing and publishing efforts can be found at jeffbagato.com.

Christopher Barnes co-edits the poetry magazine Interpoetry. His reviews and criticism have appeared in Poetry Scotland, Jacket Magazine, Peel, and Combustus. He has given readings in numerous venues, including Waterstones Bookshop, Newcastle's Morden Tower, and the Proudwords lesbian and gay writing festival. His poetry collection LOVEBITES was published by Chanticleer Press in 2005. He lives in Newcastle, UK.

Michael Brandonisio is a creative writer, photographer and visual artist. Besides poetry, he has written two short one-act plays and has published fiction under his own name and also using the pen name Linc Madison. His work has appeared in print and on the web in various journals such as Angry Old Man, Word For/Word, Otoliths, Centrifuge, Small Po[r]tions, Eunoia Review., and elsewhere.

Active correspondence artist and poet Tom Cassidy, co-founder of ‘70s' avant performance troupe The Impossibilists, is currently on the boards of Rain Taxi and Cheap Theatre, both based in Minneapolis near Tom and the 15,000 books he purchased in one day.

Joel Chace has published work in print and electronic magazines such as The Tip of the Knife, Counterexample Poetics, Eratio, Otoliths, Infinity's Kitchen, and Jacket. Most recent collections include Sharpsburg, from Cy Gist Press, Blake's Tree, from Blue & Yellow Dog Press, Whole Cloth, from Avantacular Press, Red Power, from Quarter After Press, Kansoz, from Knives, Forks, and Spoons Press, Web Too, from Tonerworks, War, and After, from BlazeVOX [books], Scorpions, from Unlikely Books, and Humors, from Paloma Press.

Seth Copeland's work is recent & scheduled in Theta Wave, ctrl + v, Heavy Feather Review, Dream Pop, and Paint Bucket. Originally from Oklahoma, he currently studies in Milwaukee. He is the founding editor of petrichor. His twitter handle is @SethTCopeland.

Darren Demaree's poems have appeared, or are scheduled to appear in numerous magazines and journals, including Hotel Amerika, Diode, North American Review, New Letters, Diagram, and the Colorado Review. He is the author of eleven poetry collections, most recently Emily As Sometimes the Forest Wants the Fire (Harpoon Book, 2019). He is the Managing Editor of the Best of the Net Anthology and Ovenbird Poetry. He is currently living and writing in Columbus, Ohio with his wife and children.

Herbert Dittersdorf is a poet, and an employee at a psychiatric facility working in Cleveland, OH. He has previously been published in Kenyon College's literary magazine, HIKA.

Mark DuCharme's recent books of poetry include We, the Monstrous: Script for an Unrealizable Film (The Operating System, 2018), The Unfinished: Books I-VI (BlazeVox, 2013) and Answer (BlazeVox, 2011). Counter Fluencies 1-20 appeared as part of the print journal The Lune (2017), and other work is recent or forthcoming in Caliban Online, Colorado Review, Dispatches from the Poetry Wars, Ethel, Human Repair Kit, Monday Night, New American Writing, Unlikely Stories, and Noon: An Anthology of Short Poems (Isobar Press: due 2019). He lives in Boulder, Colorado.

Jesse Freeman is long time visual artist and poet living and working in New Orleans. She and Scott Helmes have collaborated on numerous publications and visual poems, with her viusalization of the human figure and face often central to the finished work.

Howie Good is the author of The Titanic Sails at Dawn (Alien Buddha Press, 2019).

Adam Greenberg's poetry has recently appeared or is forthcoming from Best American Experimental, The Brooklyn Rail, Tagvverk, Columbia Poetry Review, and Witness, among others. His translations of the work of Mexican poet Carla Faesler have appeared in Chicago Review, Asymptote, Erizo, and Anomaly. He recently graduated from Brown University with an MFA in poetry, and lives in Washington, DC where he teaches writing.

Scott Helmes is a poet, book artist, writer, artist, architect and photographer. His experimental poetry has been collected, published and exhibited worldwide for over 40 years. Books published in 2019 include Recents, Redfox Press, Ireland (2019), and Magazine The Cut-Up Asemics, Asemic Press, 2019, Minneapolis, MN. Book Art work includes being an invited exhibitor to: Wallpaper An Exhibition of Altered Books, Traffic Zone Gallery, July, 2018, Minneapolis, MN. Exhibitor and Presenter, Art of Language: the Synergy of Text and Image, Perlman Teaching Museum, Carleton College, MN, April 2019. His work is also included in A History of Visual Text Arts, Karl Kempton, and Synapse International Anthology. His studio is located in Minneapolis, MN, USA.

Valerie Hsiung is the author of three full-length poetry collections, the latest of which is her e f g (Action Books). Individual poems can be found or are forthcoming in The Nation, The Believer, Tammy, Gramma, So & So Magazine, Denver Quarterly, Pinwheel, PEN Poetry Series, American Letters & Commentary, Berkeley Poetry Review, Poetry Northwest, TAGVVERK, No Dear Magazine, and beyond. The winner of the 2019 Kay Murphy Prize judged by Danielle Pafunda, she has performed her little poetry theater at Treefort Music Festival, DC Arts Center, Common Area Maintenance, Leon Gallery, Poetic Research Bureau, Rhizome, Shapeshifter Lab, and The Silent Barn. Born and raised in southern Ohio by Chinese-Taiwanese immigrants, Hsiung is nowadays based out of New York.

Matthew Klane is co-editor at Flim Forum Press. His books include Canyons (w/ James Belflower, Flim Forum, 2016), Che (Stockport Flats, 2013) and B (Stockport Flats, 2008). An e-chapbook from Of the Day is online at Delete Press and an e-book My is online at Fence Digital. New collages are online or forthcoming from ctrl + v, Gasher, and Fugue. He currently lives and writes in Albany, NY, where he curates the REV Poetry Series, and teaches at Russell Sage College.

Tony Mancus is the author of a handful of chapbooks including Apologies (Reality Beach), subject position (Magnificent Field), Bye Sea (Tree Light Books), and City Country (Seattle Review). He lives with his wife and son and three yappy cats in Colorado, and serves as chapbook editor for Barrelhouse.

Kon Markogiannis is an experimental photographer-collage artist-visual poet-independent researcher with an interest in themes such as memory, mortality, spirituality, the human condition, the exploration of the human psyche and the evolution of consciousness. He embraces the indexical qualities of photography and its immediate impact on the viewer, but what he is mainly concerned with are the ways "reality" can be transformed. By manipulating the photographic medium and/or combining it with other media he is able to develop a personal and simultaneously transpersonal language which negotiates between subjective art and the photographic document. He sees his work as a kind of weapon against the ephemeral or, as Vilém Flusser would say, a "hunt for new states of things" (Towards a Philosophy of Photography). Kon has been exhibiting his art for many years (mainly in Greece and the UK) and his work has been featured in various books, journals and magazines. His university studies include a BA in Visual Communication Design, an MA in Photography and a Doctorate in Fine Art. He currently lives and works in Thessaloniki, Greece. His website is at konmark.com. He blogs at konmark.blogspot.com.

Steve Potter's writing has appeared in extant publications such as Blazevox, Galatea Resurrects, Marginalia, Pacific Rim Review of Books, and the Golden Handcuffs Review anthology A Screw in the Shoe, as well as in long gone and sorely missed publications such as 3rd Bed, Arson, Arthur, Nimble Jill Uphill, and Pindeldyboz. He lives in the vastly overpriced city of Seattle and writes about books and literature at bookfreak.us.

Gretchen Primack is the author of Visiting Days (Willow Books, Editors Select Series 2019), set in a maximum-security men's prison, as well as two other poetry collections: Kind (Post-Traumatic Press), which explores the dynamic between humans and (other) animals, and Doris' Red Spaces (Mayapple Press). She also co-wrote, with Jenny Brown, The Lucky Ones: My Passionate Fight for Farm Animals (Penguin Avery). Her poems have appeared in The Paris Review, Prairie Schooner, FIELD, Ploughshares, Poet Lore, and other journals. Primack has administrated and taught with college programs in prison for many years, and she moonlights at an indie bookstore in Woodstock, NY.

Steve Sorin currently lives in Durham, NC and practices rheumatology for a living. He has also enjoyed photography for over 40 years, and has, in the past, done his own silver gelatin printing. More recently he has switched over to digital color media. He particularly enjoys exploring how a photograph can capture what the eye cannot, and has done a large series of double exposures of trees, rotating the camera between exposures to create a swirling or vibrating motion in a "still" image. Scott Helmes has added yet another layer to this by superimposing his visual haiku. The composite creates a synthesis of visual poetry and imagined sound.

D. E. Steward never has had a pedestrian job since college, and has nearly a thousand credits and Chroma One through Five (Archae Editions, Brooklyn, 2018).

Barbara Tomash is the author of four books of poetry: PRE- (Black Radish Books 2018), Arboreal (Apogee 2014), The Secret of White (Spuyten Duyvil 2009), and Flying in Water, winner of the 2005 Winnow First Poetry Award. An earlier version of PRE- was a finalist for the Colorado Prize and the Rescue Press Black Box Poetry Prize. Before her creative interests turned her toward writing she worked extensively as a multimedia artist. Her poems have appeared in Colorado Review, Denver Quarterly, Web Conjunctions, New American Writing, Verse, VOLT, OmniVerse, and numerous other journals. She lives in Berkeley, California, and teaches in the Creative Writing Department at San Francisco State University.

Andrew Topel is currently editing RENEGADE, an anthology of international language arts. He posts solo & collaborative work at the blog avantacular.blogspot.com/.

Bill Wolak has just published his fifteenth book of poetry entitled The Nakedness Defense with Ekstasis Editions. His collages have appeared recently in Naked in New Hope 2018, The 2019 Seattle Erotic Art Festival, Poetic Illusion, The Riverside Gallery, Hackensack, NJ, the 2019 Dirty Show in Detroit, the 2018 Rochester Erotic Arts Festival, and the 2018 Montreal Erotic Art Festival.